Horrible Saturday

BohunkShadows-sm…The Pre-Pimp.

Because, yes, there will be full disclosure coming as soon as I get it. But for now, I can tell you that I’ll be there. The Hippie will be there. And no, that cover is soooo not real. BUT I will be reading from the novel. First real reading, first tidbits from the novel. That’s right. You know that’s enough to get you there…

But if you need more. I’ll be reading, signing and doing an interview… and I’ll have Dark Faith & Last Rites, Fresh Blood, Poe Little Thing, and a couple Shroud #6s with me. Come play!

York Emporium
343 W Market St.
York, PA 17401

Saturday, August 14th • 10am-6pm

directions

None of this is real

Nightmare“It was a dark and stormy nightmare.”
~ Neil Gaiman, “Sandman”

I have this neat trick. I don’t lucid dream (oh but don’t I wish!), but I can wake up. The second I realize, or think, or say “none of this is real” or “this is a dream”, I ‘m instantly awake. Of course, I wish I hadn’t said that during the Johnny Depp dreams of 2007 but alas, I did. Which is only mentioned to point out that it works on good and bad dreams. Well, and because it’s Depp. It would be nice if I had more control. If I knew that saying that would wake me. I don’t. It sucks. But in a good way when it’s a nightmare.

I had four nightmares last night. Back to back. I kept realizing there was no way this was happening and waking up… and then going right back in. Now, mind you, not back to the same dream or same spot, though I’ve done that accidentally in the past. No, I mean that I went back into that negative world. The characters were the same. The outcome the same. But how we got there each time was different. It was like a special edition DVD with alternate middles instead of alternate endings. And each time, I got a little further into the horrible end before my brain put the brakes on and screamed “I don’t think so!”

So, since it’s Thursday, and this week’s been nothing but remnants of Monday masquerading as its siblings, let’s talk dreams—good, bad and ugly. What do you do? Can you wake yourself? Can you go back in and pick up where you left off? Can you control things going on, or people and places? What tricks does your nocturnal mind have that it’s not sharing with your conscious?

Entertain me… I could use it this week!

Whutta Great Idea!

Later, tomorrow, whenever, I’ll post my monday blog. Until then…stolen* from The Burg:

Design team’s humor, spirit captured in their creations.
by Peter Durantine — The Burg, Aug2010 Issue, page 8

Whutta Design pondering their next inspiration.

Whutta Design pondering their next inspiration

While you may not know Bob Ford or Amber Topper, you more than likely know their work—remember those blue and beige Sparky & Clark’s Roasting Co. & Coffee Bar signs at the former shops on 2nd and 3rd streets?

That was Whutta Design, Ford and Topper’s company. Located on Walnut Street, across from the city’s main library, Whutta Design has been crafting advertising, logos, brochures, magazines and websites for 16 years. Their most recent logo design is for the 2011 Keystone State Games.

Ford started the company in York and gave it the name Whutta Design instead of, what is often the case, naming it after himself. Ford Design just didn’t ring right to him.

“I’ve always felt that was a little egotistical,” he said. “I wanted to focus on the work itself.”

Five years ago, after significant growth from a clientele that spans locally, regionally and nationally, Topper became his partner. One of their not-so-familiar ad/logos for a Hershey Harrisburg Regional Visitors Bureau campaign was “You gotta love the Burg.” Picture 1

The concept came about one day after observing the antics and odd behavior sometimes seen in passersby on downtown streets, which prompted Topper to offhandedly remark, “You gotta love the Burg.”

The slogan was a hit with the visitor’s bureau and city officials, but budget constraints halted the campaign—for now at least.

Their creativity is juiced in so many ways, such as playing cards or shooting pool or “just going for a drive or a walk,” Topper said.

The easy-going duo fuse their work with fun, whether they’re creating a brand for a company or designing a state necktie, which they did for former Gov. Tom Ridge.

“That was one of the weirdest, oddest projects we’ve worked on,” Ford said. “We get a lot of freedom
to do what we’re doing.”

Long-haired with glasses, Ford has an affable manner that complements Topper’s positive, energetic attitude. “Life is too short to be uptight about stuff,” Ford said.

It shows in their work. Take this ad for a pet resort: “Countryside surroundings, classical dinner music,
and a biscuit if you go wee-wee outside.”

Ford’s career path started in design. He graduated York Vo-Tech’s industrial arts program and worked in AT&T’s marketing department in Hunt Valley, Md., later graduating from the Art Institute of Philadelphia. He worked for a printer, but wanted more design work. He went freelance and soon after started Whutta Design.

Topper, who attended Pennsylvania College of Art & Design in Lancaster, met Ford in 2006. At the time, he had partnered with another agency, and she was the first art director they hired.

Creative differences ended the partnership, but Ford re-launched Whutta Design and Topper joined as partner. “We clicked right away in our approach to developing creative, as well as working with clients in a partnership way,” he said.

For Ford and Topper, brainstorming ideas for a client begins with absorbing information about the subject. “If it’s a new client, we tend to throw ourselves into research and learn everything we can about them,” he said.

It’s a team effort, they say, and building relationships with clients, while also providing them quality service and product, is the key to their success as a company. “If we can make our client successful, that reverts back to us,” Ford said.

whuttaWhutta Design
114 Walnut St.
Harrisburg

717-309-8392
www.whutta.com

*stolen = borrowed, complete with proper credit =)

Due North

moralcompassAs is the case with many blog entries lately, this was spurred by a chat in the garage. It’s a place of deep conversations and highly emotional rants and gigglefests of pure speculation. Last night it ranged from religion to the gas station and back again.

Apparently, I have “an extremely high moral compass.” Seems if you want to give back the incorrect change the clerk gave you, or any of the other things listed to me, you have a high moral compass. But the conversation turned, and it wasn’t about the compass anymore. It was about the points on the compass. Or rather, who they point to.

Fine, I have a high moral compass. Blame my mom, I do for almost everything anyway. I’m comfortable with it. It’s kept me out of trouble on countless occasions, including a few I clearly remember wishing it didn’t exist for. But it’s MY moral compass. It’s what points me north or south, right or wrong. It’s there to keep me straight, not judge others. And it has shocked me (a few times in the past) to find out that “fear of my judgement” because of my “high moral compass” is possible. Really? This is me. Everyone talks to me, tells me secrets, confides—because above all else, I’m loyal. And shouldn’t that loyalty automatically mean I won’t judge? It’s not my place to judge—it’s my place to love.

Oh wait… Thursday… there should be a question. Sorry, I got all rambly there. I could do a whole blog on judging, which turned into it’s own conversation and moved locations and oy… Hmmm… Ok, how about this:

Do you have a compass? Nah, that’s a given, even if it’s a little broken one, you’ve still got one. Ok, how about: Where’d you get it from? Does your moral compass come from your upbringing? Your faith? Your experiences? Your desires to be a certain way? How did you come to the morals that you hold yourself by?

I guess I answered before I asked this week. I got them from my mom, but also from experiences. There are certain things I will never ever evah do, because they were done to me. They hurt on a level that can never be properly expressed and I would never want to a.) be responsible for making someone feel like that, b.) sink to the level of those that did it to me. My compass is part mom, part me—but sorry, no pink elephant. I personally don’t think an invisible entity threatening my afterlife is a good enough reason to behave in this life. I live the way I do because before I die, I have to live… with myself.

French Fries vs Garlic Mashed Potatoes

take2Yep, you know exactly where this is going… or at least, where it’s been. I posted a blog about a little writer rant the hippie and I were having. It started here, in my blog. Moved to hippie’s response. Was crossposted to facebook and my message board, and then cross-posted again by della in her blog and her facebook. It made the rounds. It got a lot of comments.

And then it reared its ugly head again in the garage. It started normal enough. We discussed the comments that came in and realized that some people may have misunderstood the argument. So before we go any further, let’s clarify, for the hippie’s and my sanity, and for all of you. The argument…

With the combination of self-publishing, e-books and Hollywood’s hunger for the next Harry Potter, anyone can be published—note, I didn’t say anyone can be a writer. I’ve been told informed, only other writers will complain, or even notice, if it’s less than par but selling more copies that Gutenberg. Poorly written books that have enough sex and explosions will be published—and possibly made into a movie. In short, the public doesn’t care about gerunds or semicolons. That’s a fact. It doesn’t matter if it needs to be edited to hell and back, that takes time and money, and the public will eat it up if we just wrap it in this pretty box and write a jingle to go with it (cue the universal humming of “two all beef patties, special sauce, lettuce, cheese…”). I’m not saying the stories are bad, some are quite good—if you can get through the typos and grammatical errors and suicidal punctuation. I’m saying the race to finish and get it to the public sometimes leaves the language behind.

Hippie and I often peek into each other’s books—meaning, if he’s reading something, I may grab it and flip a few pages. It’s kinda fun and usually leads to discussion and the other reading it. I had plenty of comments on the one I’m currently reading, which he had first. He loved it. I’m struggling with the language. It’s a big mac pretending to be a filet. It’s got big science and grand ideas, surreal places and interesting characters. But it’s also written in a strange choppy fashion that could have seriously used an editor. His current book, which I peeked in earlier today for the second time, is the opposite. It’s a filet trying to pass itself off as a big mac. The prose is well done, grammatically and artistically. It’s literature, not genre. But its spine, its cover, its publisher all say it’s genre. Sometimes the line between big mac and filet get blurred. Great writing, bad story=big mac. Cheesy story, good writing=big mac. Opposites are filets. Bad, bad = purchased by editor that thinks the back of cereal boxes are brilliant. And then occasionally, there are those big macs that fall under that category based solely on the use of tropes, overused hot topics, etc.

In the first episode of this particular Garage Rants by Kelbert™, I said I would not write a big mac. I repeated it like a mantra. I swore to the stars and the moon and my muse that we’d never do that.

I lied.

The big mac argument continued, still continues. We’ve shared and ranted anew with friends as they enter the demilitarized zone, er, garage. We throw snarky comments at the other regarding big macs whenever possible. And then, on a fateful visit to the in-likes, we brought it up again. And, in front of his parents, he dared me. We made a bet. We would both write big macs. We would hop on the trope train. And we would race to the finish line.

I don’t know what they put in my coffee that day, but I agreed. He’s writing werewolves. I’m writing vampires.

Yes, vampires.

Me. She who has done countless panels and blogs begging writers to stop writing vampires and zombies (which I’m also writing, but in short story format). Strangely, much as I can feel bits of my soul dying as I do this, I’m actually kind of digging the way the vamps are rolling. There’s a good  storyline and a complex structure. It may be a big mac trope, but it’s got plot and character arcs and punctuation, damn it.

In the blurred line that is big macs, we know that neither of us will be able to write poorly on purpose. The grammar and punctuation will be correct, the words will be apropos and pretty. As we are both prone to do, his werewolves are smelling like metaphorland. My vamps are less metaphor and more social commentary. But the moral to the story? They’re big macs. There’s no fooling ourselves. They will be well written, but there may be cheese. And of course, tropes comes with their very own jingle.

I’m in three anthologies this year. I have a novel coming out this winter, two short stories and two novellas coming up, and an article this fall. And the next thing I’ll have to add to that list will be a vampire novel the likes of which no McDonald’s has seen before.

Wish me luck. I may go quiet. After all, this is a race, and I don’t know how to play not to win. Plus, I’ve always been a sucker for a dare… and he knew that!