Tag Archives: conversations

The Future is HERE

darkfutures300Nope, not ebooks… Right on the heels of the novel (Six Days/Maelstrom) announcement comes another announcement…

Dark Futures: Tales of SF Dystopia is now available on Amazon! This collection of futuristic SF includes “Black Hole Sun” by me (Kelli Owen) and Alethea Kontis.

“Black Hole Sun” views the apocalypse through the eyes of two teens and their 21st century technology. Told completely through emails and Twitter, you can follow the broken friendship of Erica (SunnieLu) and Seth (NotGoth555) as they watch the sky fall…

And yes, the story will be continued on Twitter (date tba), so you’ll want to have your copy by then and read our contribution, so you won’t be lost!! You’re going to want to know how the end of the world sounds… it’s not a whisper, it’s a fail whale!

Purchase from Amazon

Vascular Access

ERdrawersHippie told me to write. I wrote. On muscle relaxants and pain killers. He laughed while taking care of me. He made fun. He told others. He video taped me.

And then Jersey said put it online.

Sooo… still jacked up on meds, I’ve decided to think about that. Three short stories, written while under the influence, sans any lucid editing. I’ll offer it as a pdf chapbook type download for $5.00 (oh shit, self-publishing!) and the proceeds will go to either my medical bills, a good lawyer, or bail.

Whatcha think? Ohhh… a question, and it’s not even Thursday! Would you buy it? Would you like to see what happened after the video the Hippie went and posted on facebook? “Vascular Access: A writer’s journey through pain management” bwahahahahaha uh oh. Meds are kicking in… time to write!

Cleaning the Garage

QandAStanding on my elbow
With my finger in my ear,
Biting on a dandelion
And humming kind of queer
While I watched a yellow caterpillar
Creeping up my wrist,
I leaned on a tree
And I said to me,
“Why am I doing this?”

~ “Standing” by Shel Silverstein

Thursday. Garage Talk. But I have a to-do hitlist on my wall, repeated on a sticky on the laptop, and I think of it more than a pregnant woman considers labor in her ninth month. I have shit to do. So, I apologize, but I didn’t come up with a question this week. Instead we’re going to reverse the roles. (See now, I could have just said I haven’t done this for a while, but I’m all about truth in advertising!)

Ask me anything… unless you’re coming to Horrible Saturday. In which case, you can ask me Saturday.

Due North

moralcompassAs is the case with many blog entries lately, this was spurred by a chat in the garage. It’s a place of deep conversations and highly emotional rants and gigglefests of pure speculation. Last night it ranged from religion to the gas station and back again.

Apparently, I have “an extremely high moral compass.” Seems if you want to give back the incorrect change the clerk gave you, or any of the other things listed to me, you have a high moral compass. But the conversation turned, and it wasn’t about the compass anymore. It was about the points on the compass. Or rather, who they point to.

Fine, I have a high moral compass. Blame my mom, I do for almost everything anyway. I’m comfortable with it. It’s kept me out of trouble on countless occasions, including a few I clearly remember wishing it didn’t exist for. But it’s MY moral compass. It’s what points me north or south, right or wrong. It’s there to keep me straight, not judge others. And it has shocked me (a few times in the past) to find out that “fear of my judgement” because of my “high moral compass” is possible. Really? This is me. Everyone talks to me, tells me secrets, confides—because above all else, I’m loyal. And shouldn’t that loyalty automatically mean I won’t judge? It’s not my place to judge—it’s my place to love.

Oh wait… Thursday… there should be a question. Sorry, I got all rambly there. I could do a whole blog on judging, which turned into it’s own conversation and moved locations and oy… Hmmm… Ok, how about this:

Do you have a compass? Nah, that’s a given, even if it’s a little broken one, you’ve still got one. Ok, how about: Where’d you get it from? Does your moral compass come from your upbringing? Your faith? Your experiences? Your desires to be a certain way? How did you come to the morals that you hold yourself by?

I guess I answered before I asked this week. I got them from my mom, but also from experiences. There are certain things I will never ever evah do, because they were done to me. They hurt on a level that can never be properly expressed and I would never want to a.) be responsible for making someone feel like that, b.) sink to the level of those that did it to me. My compass is part mom, part me—but sorry, no pink elephant. I personally don’t think an invisible entity threatening my afterlife is a good enough reason to behave in this life. I live the way I do because before I die, I have to live… with myself.

French Fries vs Garlic Mashed Potatoes

take2Yep, you know exactly where this is going… or at least, where it’s been. I posted a blog about a little writer rant the hippie and I were having. It started here, in my blog. Moved to hippie’s response. Was crossposted to facebook and my message board, and then cross-posted again by della in her blog and her facebook. It made the rounds. It got a lot of comments.

And then it reared its ugly head again in the garage. It started normal enough. We discussed the comments that came in and realized that some people may have misunderstood the argument. So before we go any further, let’s clarify, for the hippie’s and my sanity, and for all of you. The argument…

With the combination of self-publishing, e-books and Hollywood’s hunger for the next Harry Potter, anyone can be published—note, I didn’t say anyone can be a writer. I’ve been told informed, only other writers will complain, or even notice, if it’s less than par but selling more copies that Gutenberg. Poorly written books that have enough sex and explosions will be published—and possibly made into a movie. In short, the public doesn’t care about gerunds or semicolons. That’s a fact. It doesn’t matter if it needs to be edited to hell and back, that takes time and money, and the public will eat it up if we just wrap it in this pretty box and write a jingle to go with it (cue the universal humming of “two all beef patties, special sauce, lettuce, cheese…”). I’m not saying the stories are bad, some are quite good—if you can get through the typos and grammatical errors and suicidal punctuation. I’m saying the race to finish and get it to the public sometimes leaves the language behind.

Hippie and I often peek into each other’s books—meaning, if he’s reading something, I may grab it and flip a few pages. It’s kinda fun and usually leads to discussion and the other reading it. I had plenty of comments on the one I’m currently reading, which he had first. He loved it. I’m struggling with the language. It’s a big mac pretending to be a filet. It’s got big science and grand ideas, surreal places and interesting characters. But it’s also written in a strange choppy fashion that could have seriously used an editor. His current book, which I peeked in earlier today for the second time, is the opposite. It’s a filet trying to pass itself off as a big mac. The prose is well done, grammatically and artistically. It’s literature, not genre. But its spine, its cover, its publisher all say it’s genre. Sometimes the line between big mac and filet get blurred. Great writing, bad story=big mac. Cheesy story, good writing=big mac. Opposites are filets. Bad, bad = purchased by editor that thinks the back of cereal boxes are brilliant. And then occasionally, there are those big macs that fall under that category based solely on the use of tropes, overused hot topics, etc.

In the first episode of this particular Garage Rants by Kelbert™, I said I would not write a big mac. I repeated it like a mantra. I swore to the stars and the moon and my muse that we’d never do that.

I lied.

The big mac argument continued, still continues. We’ve shared and ranted anew with friends as they enter the demilitarized zone, er, garage. We throw snarky comments at the other regarding big macs whenever possible. And then, on a fateful visit to the in-likes, we brought it up again. And, in front of his parents, he dared me. We made a bet. We would both write big macs. We would hop on the trope train. And we would race to the finish line.

I don’t know what they put in my coffee that day, but I agreed. He’s writing werewolves. I’m writing vampires.

Yes, vampires.

Me. She who has done countless panels and blogs begging writers to stop writing vampires and zombies (which I’m also writing, but in short story format). Strangely, much as I can feel bits of my soul dying as I do this, I’m actually kind of digging the way the vamps are rolling. There’s a good  storyline and a complex structure. It may be a big mac trope, but it’s got plot and character arcs and punctuation, damn it.

In the blurred line that is big macs, we know that neither of us will be able to write poorly on purpose. The grammar and punctuation will be correct, the words will be apropos and pretty. As we are both prone to do, his werewolves are smelling like metaphorland. My vamps are less metaphor and more social commentary. But the moral to the story? They’re big macs. There’s no fooling ourselves. They will be well written, but there may be cheese. And of course, tropes comes with their very own jingle.

I’m in three anthologies this year. I have a novel coming out this winter, two short stories and two novellas coming up, and an article this fall. And the next thing I’ll have to add to that list will be a vampire novel the likes of which no McDonald’s has seen before.

Wish me luck. I may go quiet. After all, this is a race, and I don’t know how to play not to win. Plus, I’ve always been a sucker for a dare… and he knew that!