Tag Archives: muse

French Fries vs Garlic Mashed Potatoes

take2Yep, you know exactly where this is going… or at least, where it’s been. I posted a blog about a little writer rant the hippie and I were having. It started here, in my blog. Moved to hippie’s response. Was crossposted to facebook and my message board, and then cross-posted again by della in her blog and her facebook. It made the rounds. It got a lot of comments.

And then it reared its ugly head again in the garage. It started normal enough. We discussed the comments that came in and realized that some people may have misunderstood the argument. So before we go any further, let’s clarify, for the hippie’s and my sanity, and for all of you. The argument…

With the combination of self-publishing, e-books and Hollywood’s hunger for the next Harry Potter, anyone can be published—note, I didn’t say anyone can be a writer. I’ve been told informed, only other writers will complain, or even notice, if it’s less than par but selling more copies that Gutenberg. Poorly written books that have enough sex and explosions will be published—and possibly made into a movie. In short, the public doesn’t care about gerunds or semicolons. That’s a fact. It doesn’t matter if it needs to be edited to hell and back, that takes time and money, and the public will eat it up if we just wrap it in this pretty box and write a jingle to go with it (cue the universal humming of “two all beef patties, special sauce, lettuce, cheese…”). I’m not saying the stories are bad, some are quite good—if you can get through the typos and grammatical errors and suicidal punctuation. I’m saying the race to finish and get it to the public sometimes leaves the language behind.

Hippie and I often peek into each other’s books—meaning, if he’s reading something, I may grab it and flip a few pages. It’s kinda fun and usually leads to discussion and the other reading it. I had plenty of comments on the one I’m currently reading, which he had first. He loved it. I’m struggling with the language. It’s a big mac pretending to be a filet. It’s got big science and grand ideas, surreal places and interesting characters. But it’s also written in a strange choppy fashion that could have seriously used an editor. His current book, which I peeked in earlier today for the second time, is the opposite. It’s a filet trying to pass itself off as a big mac. The prose is well done, grammatically and artistically. It’s literature, not genre. But its spine, its cover, its publisher all say it’s genre. Sometimes the line between big mac and filet get blurred. Great writing, bad story=big mac. Cheesy story, good writing=big mac. Opposites are filets. Bad, bad = purchased by editor that thinks the back of cereal boxes are brilliant. And then occasionally, there are those big macs that fall under that category based solely on the use of tropes, overused hot topics, etc.

In the first episode of this particular Garage Rants by Kelbert™, I said I would not write a big mac. I repeated it like a mantra. I swore to the stars and the moon and my muse that we’d never do that.

I lied.

The big mac argument continued, still continues. We’ve shared and ranted anew with friends as they enter the demilitarized zone, er, garage. We throw snarky comments at the other regarding big macs whenever possible. And then, on a fateful visit to the in-likes, we brought it up again. And, in front of his parents, he dared me. We made a bet. We would both write big macs. We would hop on the trope train. And we would race to the finish line.

I don’t know what they put in my coffee that day, but I agreed. He’s writing werewolves. I’m writing vampires.

Yes, vampires.

Me. She who has done countless panels and blogs begging writers to stop writing vampires and zombies (which I’m also writing, but in short story format). Strangely, much as I can feel bits of my soul dying as I do this, I’m actually kind of digging the way the vamps are rolling. There’s a good  storyline and a complex structure. It may be a big mac trope, but it’s got plot and character arcs and punctuation, damn it.

In the blurred line that is big macs, we know that neither of us will be able to write poorly on purpose. The grammar and punctuation will be correct, the words will be apropos and pretty. As we are both prone to do, his werewolves are smelling like metaphorland. My vamps are less metaphor and more social commentary. But the moral to the story? They’re big macs. There’s no fooling ourselves. They will be well written, but there may be cheese. And of course, tropes comes with their very own jingle.

I’m in three anthologies this year. I have a novel coming out this winter, two short stories and two novellas coming up, and an article this fall. And the next thing I’ll have to add to that list will be a vampire novel the likes of which no McDonald’s has seen before.

Wish me luck. I may go quiet. After all, this is a race, and I don’t know how to play not to win. Plus, I’ve always been a sucker for a dare… and he knew that!

Inspiration

Let’s have some fun with our morning coffee, shall we? This week’s coffee talk isn’t just for the writers out there, or the readers and family and friends, but for anyone creative. If you’ve got an artistic bone in your body, you’ve got a muse of sorts. Whether you paint or doodle, sing or play an instrument, dabble with words or… whatever… you get your inspiration somewhere. There were nine Greek muses, Calliope being the most famous, Melpomene being the most logical for horror writers. And while we all talk about our muses, the Greek versions are just myth, right? So…

If they’re myth, where does your inspiration come from? Not “where do you get your ideas” [because if I ever, and I do mean EVER, ask that question---just shoot me!], but what/who is your muse? The Greek muses have been depicted and designed. We know what they’re supposed to look like. What about yours?

Does your muse have a sex or name? Do it talk to you, whisper, yell? If we’re going to give our inspiration a personality, let’s give them a full bio! Give me a run down of your personal muse… whatever you already know/think, plus whatever fun stuff you can come up with to help flesh them out more, so they help you more: height, weight, name, age, twitches, habits and of course, sins…

Mine is a tall, skinny boy that likes to squat in gargoyle fashion just out of eye-shot, about 5 o’clock on the visual clock. I can hear him whispering just fine, but to catch a glimpse I must turn to the right a touch, and even then it’s only peripherally. He’s got dark hair and darker eyes—though sometimes his eyes sparkle as if there are colors in there other than black. He’s got a wicked grin and bloody knuckles. He wears beat up jeans and an old t-shirt, but no socks or shoes. He could use a haircut, as it hangs in his face and almost reminds me of a bad cast member from Underworld. He drinks too much whiskey and enjoys talking in riddles and rhyme.

He holds two books in his hands. One is a thick tome of every bit of writing advice I’ve ever read or been told. He often uses it to hit me over the head like a Catholic School teacher with a yard stick and PMS. The other is the tattered diary of my life—photos sticking out, faded ribbon marking some passage, and loose pages poking free at odd angles to show scribbling from a multitude of colored pens and broken pencils. He never hits me with that, but he does enjoy squeezing it until blood drips from its broken spine.

I’m pretty sure he once got away with murder…

And he refuses to tell me his name—I have to wonder if it isn’t something akin to Rumpelstiltskin!

So? What about yours?

Picking Scabs

Have you ever been taken over by a mood out of nowhere? Like some magical little fairy came up behind you, blew across you and WHAM, you find yourself in this strange funk? Oh stop shaking your heads! It happens to everyone, whether you admit it or not, excuse it or ignore it [otherwise I'm crazy, and I really don't think… um, nevermind].

So there I was, a nice productive weekend followed by an overly productive Monday [yeah, I know, red flag. I should have known right there that something was up with the cosmos…]. The girl-child was out, the boy was upstairs doing something, and I was on the couch deciding how fried my brain was… Should I edit J’s thing? Work on my own stuff? Read a beach book and let my gray matter just simmer on a nice low setting for a while? When suddenly, without any direction on my part, my legs pulled up close to my chest, I sighed, and reached behind me for an ancient photo album… A dusty old thing filled with forgotten memories two decades old.

I flipped through it with trepidation. Laughing at scenes that I instantly remembered, furrowing my brows at people whose picture I had taken but whose names I could not recall, and giggling when I realized that some of the school pictures that confused me had names & years in gold embossing across the bottom… thank Bob! I spoke out loud as I flipped the hard cardboard pages with the yellowed cover-film and faded images.

“ahhh… Randy & Ricky. Terry! Who’s that? Brian? No, Brad, that was his name. Dan!! Wally… Mary and Joanie and Vicky and Marianne and—who’s that? Oh hey, Kerry—wonder if she’s still married to… hmmm what was his name? Jim and Tom and another Jimmy, and ChiChi and John—god we were so young! Oh dang, I forgot all about so-and-so, and oh wow, Greg!!”  It went on and on, page after page… and then the pages were empty and something inside me made this strange little strangled sound. Like a child crying far away.

I closed the book and shook my head, wondering what had possessed me to pull it out in the first place. I’m still not sure was spurred it, I only know that the little voice stopped making that noise and instead whispered, “There’s more…”

I promptly jumped up, grabbed my new string of dragonfly patio lights that mother gave me for my birthday, a few nails, and headed to the bedroom. I hung the lights, lit a candle and pulled out the blue box. The girl-child had come home and was working on her chores. She popped her head in as I was lighting the candle and asked what I was doing.

“Revisiting a life lived.”

She raised an eyebrow, backed out, and I heard her say to her brother, “Mom’s in one of those moods again…” He murmured something I didn’t hear and she responded with, “She should call someone, that always helps.” She turned back toward my room and suggested I call one of three people… funny, I didn’t realize I was that much of an open book, she listed the correct three for the moment, but I declined and said I needed to do this for some reason. Even though I still didn’t know what I was doing, or why.

She left and I opened the blue box. I didn’t blow the dust off the top—it was thick and sticky, and I was a little afraid breathing on it would give it life and it would attack me to protect its secrets. Old yearbooks, old notebooks, old photos, old newspaper clippings, old love letters… its secrets run deep. I giggled through old Cathedral yearbooks as I read notes long forgotten. I had completely spaced that Dan had referred to me as Mattie for 2 years. I came across boys that were “my whole world” in seventh grade… that I had completely forgotten about by eighth grade. I recalled things not in the pages and pictures. My stale creampuff, hockey games, playground meetings to help patch friends’ hearts, the first walls I built to protect myself from boys and the boy that caused it. Funny, I remember the good times from the seven months with him and didn’t even remember the bad until I re-read it.

I dug deeper and found old school projects, including several personal notes from the teacher that first sharpened my muse’s pencils. Notes passed in class. Random pieces of paper that I scribbled on—doodles, stories, poems, handwriting mimicry. And then I hit the news clippings. This wasn’t an old memory. This is a memory I think of often. I didn’t need the box for this—so I only read the various headlines, closed my eyes for a moment, and closed the folder. One headline always stands out in my mind: A Train, A Car, A Second. It may have been a second for them, it’s been 22 years for the rest of us.

Hmmm… wait a minute. Here’s a thought. Am I digging around these memories to say good-bye to old ghosts? I’ve been doing a lot of introspective thinking lately. Closing doors on parts of my life, finishing chapters I never planned for the middle but rather the end, maybe this was just more of that. I’m moving in a few months, far away from here, maybe I needed closure to do that… I thought about it. I leaned back under the soft glow of the dragonfly lights, and thought about the people I had just flipped through. The times I had revisited.

In the end, I realized I was wrong. In the end, the muse crawled from the base of my spine—just a tickle that crept its way up to whisper sweet nothings in my ear. “No. It wasn’t a good-bye. I wasn’t ghosts.” I looked at the muse over my shoulder. She was covered in band-aids and bruises. Her mascara had run like Tammy Fay Baker’s. I have been fighting with her a lot lately—it showed [I've erased more than I've kept on the novel]. But through bloodshot eyes she did something I wasn’t expecting… She smiled.

And I understood.

I wasn’t saying good-bye, I was digging. Digging very deep into places I had forgotten existed so that I could remember a wide range of things, a variety of emotions—some good, some bad. She’s a sneaky one. She used memories with tangible reminders so I could recall how to tap those things when I need to. There have been a lot of changes in my world lately, growth and onion layers and good-byes and all that, and through it all she sat and waited, while I tried to heal. Problem is, I’m a writer. We don’t heal. We don’t have scars. We pick our scabs and keep them fresh and let them bleed. I had been pushing everything down and letting the scabs heal. I needed to pick at them. She needed me to pick them. When I refused, she took over. Because I needed to tap the energy that comes with that blood. Because she’s got some things to say and I needed to be able to keep up, so I can write this damn novel!

I thought it was a funk. I thought it was some new level of acceptance or grief or whatever stage I’m at right now. Who knew it was the muse saying, “Enough already, we’ve got shit to do!”  Sometimes we bruise the muse… sometimes, she fights back.

Flash in the mug

Hmmm… Thursday already? Ok. Let’s try something a little different for coffee talk this round. Here’s a quick and dirty little piece of flash fiction for you… read, enjoy, caffeinated question is below it. [and remember, quick and dirty means raw, NOT edited a fine-tooth comb, so no editing/picking on me!]


Sarah didn’t know where her pants were. She remembered having them. Remembered the way that Kevin had grabbed the material at her hips and yanked them from her. She remembered the two of them, their hunger playing across each other’s bodies through their eyes, their hands, their lips. She remembered the incredible waves of orgasm.
And then nothing.
She had woken up in Kevin’s arms, covered in blood. His blood. Holding a knife that must have come from the kitchen–the bedroom held only Kevin’s pocketknife and a dust-covered hunting blade. The wooden handle of the cleaver was warm, and slick. The blade coated, smeared. And while it looked fresh, the blood had begun to dry in the fine lines on the back of her hand and she wondered how long ago all this had happened.
According to the alarm clock it was just past seven in the morning. The last time she’d checked the clock had been when she looked up from giving him head and seen the wall clock behind Kevin’s smiling face. It had been just before midnight.
The wall clock. They had been in the living room. A movie had been chosen, but Sarah couldn’t remember what, or if they’d even bothered watching any of it. How had they gotten upstairs? Why couldn’t she remember? And who had done this to Kevin?
She had dropped the knife and leaped from the bed a while ago. Sarah had no idea how long she’d stood there, naked, covered in his blood, staring at the smeared bed sheets and evidence of his bowels releasing. She couldn’t bring herself to look at his face. She didn’t want to see his eyes. She knew they wouldn’t be the crystalline blue she was used to, and part of her feared they would be missing all together.
In a state of numb shock she’d started getting dressed. Without bothering to clean up, or even wipe off the cooling blood of her boyfriend, she had slipped her panties and bra on, borrowed his shirt (for the last time) and scoured the room for her jeans.
She found them downstairs next to the couch and again wondered when the two of them had gone upstairs. And why would she have brought the rest of her clothes but not her jeans? She took a long drag from the crumpled cigarette she’d pulled from his crushed pack on the table. The dry non-smoker’s cough surprised her a bit, as she’d only quit the month before, but she ignored it and inhaled another lungful of nicotine.
The wall clock said it was ten-thirty and she wondered how long she’d sat there with the burned out cigarette butt in her fingertips, phone in the other hand. She knew she had to call the authorities. They had to be notified so they could find the killer. She knew she didn’t do this. Why would she?
Sarah’s mood swings had been under control for some time. She hadn’t missed a Prozac dose in weeks, and felt better than she had in years. There’s no way she did this. She wouldn’t. She was falling in love with Kevin. You don’t kill someone you love.
As she dialed 911 she felt her stomach flip and settle deeper into her gut like a weight. Her hands began to shake and Sarah realized shock was giving way to anxiety. She knew her prints were on the knife. She knew they’d blame her, label her, and lock her away in some asylum somewhere. She knew this looked bad, and while she’d appreciated the sympathy of the jury, she knew they wouldn’t believe her this time.

So… crazy coffee talk question of the week: Did she do it? I know. The muse knew. What do you say? And WHY do you think yes/no?

Crushing Dreams

My muse has this weird new drug she’s on and it caused my mind to move in strange ways. She’s also infected my dreams and given me some new fodder to chew on, but it’s the waking hours that she’s worming into more and more. On occasion lately, I find it amazing that I can carry on an entire conversation without some fleeting thought or full paragraph just dropping into my head. I like it! I’ve actually debated getting stock in pixie stix, which is Wonka, which is Nestle, which is only $34.50 right now…

The monkeys were gone this weekend and I had a lot of time to think. I played with the muse, talked to friends, read, edited, played scrabble and did nothing for a while… and thought. I thought a lot actually. Various storylines, childhood memories [because of that damn 25 list], and just life in general.  We all have the ability to be glass half-empty when we’re down, some have more of a propensity for it than others, and some of us refuse. No matter which you are, try this on… it’s fun.  Think of where you are right now—in life, in love, in career, in everything—and then think back to when you were young. How many things didn’t you expect?

I knew I’d be a writer. Deep down I always had hope with just a smear of faith. But I never expected to meet my favorite author, let alone become a friend. I never expected to meet a lot of the people I’ve met, or travel in the circles I do, or go the places I’ve gone. I never thought my Christmas card list or address book would include people that I absolutely cherish but only see a few times a year. I never expected to get a degree just to ditch it. I never expected to have children that were taller than me [although I really should have seen that one coming] or who could make me smile with the silliest of things. I never expected to be starting life over at 40. And this weekend I did a little mental inventory of all the things I never expected, but am damn glad to have… the things I cherish.

And then wondered why I didn’t expect them.

Seriously, am I alone? Or do we as humans just not expect to get what we want? Even with a glass half-full, do we expect fate and destiny and the gods of dreams to laugh as they crush us? Why? I think things pile up and wear down at our hope, our faith, our fire. Because of a train, I buried six friends one day in high school. As an adult, I watched my daughter’s friend wither away under the power of an unstoppable cancer. And numerous times over the years, I’ve held friends while they cried over lost babies. None of these would ever grow up, find love, have a family, grow old—let alone achieve career goals or dreams. Their hopes were futile, some before they even had them. I’ve loved and lost… and lost… and lost. It makes a heart grow weary. It crushes the memory of a dream that the little girl used to have: the perfect romance, that silver-screen kiss. But it didn’t crush the dream, the dream had already been worn down by everything else. Because our dreams are all connected somewhere deep in our hearts, and it doesn’t matter if it’s love or career or hobby that is crushed, it tarnishes everything else. It plants seeds of pessimism. It makes you believe that it doesn’t really exist, thus protecting you from disappointment. It removes expectations.

I never expected a lot of things that I have right now. And after a weekend of reflection and looking through photos and recalling memories and treasuring those surprises, I realize that dreams never die. They just sleep. No one can crush them but you. “Dare to dream” isn’t about giving your best, it’s about not losing that faith, that fire. It’s about remembering all those things that little girl with the slingshot wanted and hoped for, but resigned not to expect. It’s about willing life to work in your favor, making lemonade, and being unafraid of the seeds.

What do you have that you didn’t expect? What don’t you have that you never expect to get or find? Cherish the first, reach for the second. It’s there. Hiding behind the tarnish of life, waiting to be remembered, discovered and dreamed of once again.

I made a promise to a gravestone on a cold September day in 1986, it’s time to remember that promise…